In 1947-48, James Brooks reached an artistic breakthrough when he realized the effect of glue on a painting, causing shapes to soak through to the reverse side of the canvas. The result was a rich body of work exploring the spontaneity of color, line, and shape. Chaco was painted during a period in Brooks’ career when he combined thin calligraphic lines and rich colors painted in broad brushstrokes to illuminate a delicate interplay between spontaneity and balance. Brooks commonly used non-descriptive titles to prevent influencing viewer’s interpretations of his art.

Title: Chaco
Date: 1965
Medium: oil on canvas
Dimensions: 74.5 x 80.1 inches
Accession Number: P68.4.1
Location: North Concourse
This record is a work in progress. If you have additional information or spotted an error, please send feedback to Curatorial & Visitor Services.
Reproduction of the images contained on this page is not permitted without express permission. If you would like to reproduce an image of a work of art in the collections overseen by the New York State Office of General Services, or an image of an OGS publication or archival material, please contact Curatorial & Visitor Services.